ANA Unveils Institute for Creative Writing and Film Studies

 

ANA UNVEILS INSTITUTE FOR CREATIVE WRITING AND FILM STUDIES

 

By Wole Adedoyin

The Association of Nigerian Authors (ANA) has announced the establishment of its highly anticipated Institute for Creative Writing and Film Studies. This visionary venture aims to provide aspiring writers and filmmakers with exceptional training, nurturing their talents, and fostering a new generation of creative minds. The institute will not only cultivate skills but also forge strategic collaborations with esteemed authors for the adaptation of their literary masterpieces into extraordinary cinematic experiences.

The ANA Institute for Creative Writing and Film Studies comes as a pivotal step in advancing the artistic landscape of Nigeria and beyond. With a commitment to excellence, the institute pledges to offer comprehensive and effective training programs that will empower individuals in their artistic pursuits. Through a carefully curated curriculum, participants will receive expert guidance from experienced mentors, industry professionals, and celebrated authors, providing a well-rounded education in creative writing and film studies.

"At ANA, we believe in the power of storytelling to shape cultures and inspire change," stated Maik Ortserga, the General Secretary of ANA. "The establishment of the Institute for Creative Writing and Film Studies is a testament to our dedication to nurturing creative talents and empowering them to bring their visions to life."

One of the institute's primary objectives is to establish strong partnerships with renowned authors, fostering collaboration between the literary and film worlds. By connecting talented writers with aspiring filmmakers, the institute seeks to adapt captivating literary works into remarkable cinematic productions, enhancing the appreciation for Nigerian literature and culture on a global scale.

Through these strategic partnerships, the ANA Institute for Creative Writing and Film Studies aims to contribute to the growth of the Nigerian film industry, generating opportunities for local filmmakers and introducing diverse narratives that reflect the rich cultural heritage of the nation.

The institute's establishment marks a significant milestone in the pursuit of artistic excellence in Nigeria. Aspiring creative writers and filmmakers can now look forward to honing their skills in a supportive and dynamic learning environment, while celebrated authors have an avenue to see their literary creations translated into captivating cinematic experiences.

 

Caucasus Journal of Milton Studies Set To Publish More Nigerian and African Writers – Wole Adedoyin

 

CAUCASUS JOURNAL OF MILTON STUDIES SET TO PUBLISH MORE NIGERIAN AND AFRICAN WRITERS – WOLE ADEDOYIN

 

The Milton Society of Georgia, under the visionary leadership of Professor Edward Raupp, Professor of English Language and Literature at Gori State University has announced its commitment to amplifying the voices of Nigerian and African writers in the literary landscape. Following the successful release of Vol. 2 No. 2: June 2023, the Caucasus Journal of Milton Studies (CJMS) will now feature more works from the vibrant Nigerian and African literary community. The recent issue showcased the brilliant poetry of Nigerian Poet Michael Chukwudi, marking the beginning of this inclusive literary journey. The CJMS, published by the Milton Society of Georgia and helmed by Editor-in-Chief Danna Raupp, is an internationally acclaimed, peer-reviewed journal dedicated to the life and works of English writer John Milton.

Caucasus Journal of Milton Studies (CJMS) e-ISSN: 2720-8222 (online) is a prestigious platform for high-quality, original research with a focus on manuscripts in English. The journal welcomes submissions of various types, including original research articles, review articles, and poetry inspired by the life and works of John Milton.

In a significant step towards fostering literary diversity, the Milton Society of Georgia, under the guidance of Professor Edward Raupp, played a pivotal role in establishing the Milton Society of Africa last year. As part of their commitment to promoting African literary voices, the Milton Society of Georgia sponsored the inaugural Milton Writers Conference held in Ibadan, Nigeria, and the John Milton Writers Competition.

In the Editor's Note from the Vol. 2 No. 2: June 2023 CJMS, the journal's team expressed their delight in featuring contributions from young women pursuing their Master's Degree in Anglistics at Gori State University. Notably, these remarkable students chose to write their theses in English, marking a groundbreaking moment for the university. The recent issue included English translations of two final miniatures from Niko Lortkipanidze and a short poem by Paolo Iashvili, provided by Eter Churadze. Additionally, the translation section introduced a new contributor, Lela Ebralidze, who presented her scientific research on the renowned American poet, Edgar Allan Poe, delighting readers with her Georgian translation of Poe's beloved work, "Annabelle Lee."

The highlight of the issue was the poetry section, featuring the powerful and thought-provoking poem, "DENIAL," penned by Michael Chukwudi, an author of Nigerian-Indonesian heritage. Chukwudi's poem passionately addressed the prevailing injustice in Nigeria, urging for a restoration of justice and an end to the evils plaguing his homeland.

Wole Adedoyin, the driving force behind the project and President of the Society of Young Nigerian Writers (SYNW), played a significant role in fostering this collaboration. His dedication to promoting literary diversity and providing a platform for African writers has been instrumental in making this endeavor a reality.

The CJMS extends its warm appreciation to all contributors, readers, and supporters, acknowledging that each individual enriches the journal's literary discourse. With a renewed commitment to amplifying African voices and fostering cross-cultural exchanges, the CJMS looks forward to bringing more impactful works from Nigerian and African writers to the forefront of global literary conversations.

For more information and to access the latest issue of CJMS, please visit: https://cjojms.com/index.php/research/issue/view/8

New Research Paper Explores the Power of Artistic Protest and Testimony in "EndSARS Rhythms"

 

NEW RESEARCH PAPER EXPLORES THE POWER OF ARTISTIC PROTEST AND TESTIMONY IN "ENDSARS RHYTHMS"

 

By Wole Adedoyin

A groundbreaking academic paper titled "Poetic Protest and Testimony in Endsars Rhythms" has been jointly authored by Jayne I. Owan and Onyekachi Peter Onuoha from the prestigious Department of English and Literary Studies at the University of Calabar. The research delves into the powerful use of art, particularly poetry, as a medium of protest and testimony during the EndSARS movement in Nigeria.

The paper sheds light on the multifaceted role of EndSARS Rhythms, which serves as both an avenue for entertainment and a medium for documenting the causes of brutalization faced by the Nigerian people, as well as questioning the moral fiber of the society. Amidst threats to life, Nigerians turned to poetry as a potent form of protest to challenge police brutality in the country. The study highlights how art plays a significant role in social movements and resistance to police violence, acting as a vehicle for poetic protest and testimony.

The research involves a comprehensive textual analysis of a digital memorial, revealing how EndSARS Rhythms effectively preserves memory through art while documenting the exploitation and brutality suffered by the youth at the hands of the Nigeria Police Force. It unequivocally establishes EndSARS Rhythms as a poetic protest and testimony against police brutality.

One of the fundamental aspects of the paper is the incorporation of several poignant poems from EndSARS Rhythms that have become a literary testimony for victims of police brutality and survivors in Nigeria. Some of the notable poems featured in the research include “State Armed Robbers Squad (SARS)”  by Frank Kaliati, “EndSARS! LAWMAKERS, OR LAWBREAKERS” by Olude Peter Sunday, “Talk True” by Nkiru Onyeyaforo, “Guns End Dreams” by Olawumi Oluwasogo, “EndSARS” by David Jonathan Inyang, “Homeland in Pain” by Enyia Lilian Nkechinyere, “How Our Lights were Put off” by Nwokeabia, Ifeanyi John, “Spare us! Spare us! By Adaji Elizabeth Mercy, “In Lekki, Heroes Prevailed…” by Merife, Chisom Victor, “To our heroes up” by Adefeyintola Adesegun, “Requiem for victims of Lekki Massacre '' by Chidiebere Enyia, “The night when doves cried”  by Shola Balogun, “Inquest for freedom!”  by Blessing Chinenye David’s  and others.

Through the powerful poetic chronicles presented in EndSARS Rhythms, the movement emerges as a resolute protest against exploitation and brutality within Nigerian society. The poetic narratives eloquently implicate the Nigerian government and police as agents responsible for the subjugation and exploitation of the country's youth. Each poem serves as a witness against the state, condemning the extra-judicial killing of numerous Nigerians.

The significance of the research paper lies in its portrayal of EndSARS Rhythms as a resilient and artistic response to social injustice and oppression. It underscores how the protest movement effectively utilized poetry as a means of expressing grievances, demanding accountability, and advocating for change. The poems themselves become a collective voice of resilience, providing solace to those affected by police brutality and giving hope for a brighter future.

The co-authors, Jayne I. Owan and Onyekachi Peter Onuoha, commend the courage and creativity displayed by the poets in EndSARS Rhythms, and express hope that this research will contribute to a deeper understanding of the power of art in shaping social movements.

The full research paper "Poetic Protest and Testimony in Endsars Rhythms" is available via https://jurnal.fs.umi.ac.id/index.php/tamaddun-life/article/view/161 and https://jurnal.fs.umi.ac.id/index.php/tamaddun-life/article/view/161/129.

END SARS RYTHMS edited by Terseer Sam Baki and Wole Adedoyin and published in electronic and paperback by the International Human Rights Art Festival (IHRAF) in New York, USA. It was a collaborative effort of the Society of Young Nigerian Writers, SYNW, and the International Human Rights Arts Festival, IHRAF, to harness the thoughts, feelings and responses of Nigerian artists and creative writers and the international writing community on the theme of police brutality, assault and battery.

 

IHRAF Announces New Book, “From Africa with Love: Voices of a Creative Continent”

 

IHRAF ANNOUNCES NEW BOOK, “FROM AFRICA WITH LOVE: VOICES OF A CREATIVE CONTINENT”

 

By Wole Adedoyin

The International Human Rights Art Festival (IHRAF) has announced the release of its latest publication, "From Africa with Love: Voices of a Creative Continent." Curated and edited by Kelly Kaur in conjunction with Wole Adedoyin, IHRAF African Secretariat Director, this captivating anthology delves into a tapestry of themes, including love, death, race, women’s rights, politics, and the profound beauty of existence, presenting the unique perspectives of 22 talented African writers and artists.

In "From Africa with Love: Voices of a Creative Continent," readers will be taken on a literary journey like no other. The book encompasses an enchanting underwater world imagined by an eight-year-old alongside raw and poignant reflections on life across the African continent. These thought-provoking glimpses into the human experience paint a rich and diverse portrait of Africa's creative talent and its indomitable spirit.

As an integral part of IHRAF's "Hear the Voices" series, "From Africa with Love: Voices of a Creative Continent" weaves together literary expressions and artwork to celebrate the resilience and strength of the African people. This anthology serves as a testament to the power of art and storytelling in fostering empathy, understanding, and advocacy for human rights.

The contributors featured in the book were carefully selected from the two editions of the IHRAF Interview Series, which showcased over 100 writers and artists curated by Wole Adedoyin in 2021 and 2022. Hailing from five African countries, namely Nigeria, Zimbabwe, Togo, Ghana, and Kenya, these artists and writers bring a rich diversity of perspectives to the table. The anthology includes a wide array of literary forms, such as poetry, short stories, and various forms of artwork.

Among the gifted artists and writers featured in the anthology are Omale Allen ABDUL-JABBAR (Nigeria), Stephanie Mwuese ABUGHDYER (Nigeria), Wole ADEDOYIN (Nigeria), AKANNI Kehinde James (Art) Nigeria, Ugochukwu ANADI (Nigeria), AWKU SundayVictor (Nigeria), Mbizo CHIRASHA (Zimbabwe), Abdoul Ganiou DERMANI (Art) (Togo), Shina FASANMI (Nigeria), IZUNNA Okafor (Nigeria), Frank KALIATI (Malawi), Dominic Oigo MAINA (Kenya), Chigozie Anuli MBADUGHA (Nigeria), Prayerlife NWOSU (Nigeria), Temidayo OLALEYE (Nigeria), Bernice Adebimpe OYELEKE (Nigeria), Mnguember Vicky SYLVESTER (Nigeria), Marcus Ovie UGBODUMA (Nigeria), Sumaila UMAISHA (Nigeria), Stanley UMEZULIKE (Nigeria), Rachel YRAM (Ghana), and Sakinat YUSUF (Nigeria).

IHRAF believes that "From Africa with Love: Voices of a Creative Continent" will serve as a powerful platform to amplify African voices and bring attention to the social, political, and cultural issues faced by the continent. By offering a diverse and compelling collection of narratives, the book seeks to foster a deeper understanding and appreciation for the rich cultural heritage and artistic brilliance of Africa.

The book is now available for purchase through the IHRAF website and select online retailers https://www.amazon.com/dp/B0CCCPH1X9?ref_=pe_3052080_397514860. IHRAF encourages individuals, educators, human rights advocates, and art enthusiasts alike to support this remarkable project and embrace the vibrant and profound voices of the African creative community.

The International Human Rights Art Festival (IHRAF) is a global platform that unites art and human rights advocacy. Through its diverse programming, IHRAF fosters dialogue, raises awareness, and encourages meaningful action on human rights issues worldwide. IHRAF believes in the power of art to inspire change and promote social justice.